Tranimacies and Affective Trans Embodiment in Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image

Ana Horvat*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

1 Citation (Scopus)

Abstract

In Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image, the artists perform trans embodiment through engaging with the animacy of silicone and clay. Arsenault and Cassils work toward defining trans embodiment as affective entanglements with (in)animate objects and foreground trans agency, creation, and movement.

Original languageEnglish
Pages (from-to)395-415
Number of pages21
Journala/b: Auto/Biography Studies
Volume33
Issue number2
DOIs
Publication statusPublished - 4 May 2018
Externally publishedYes

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