Abstract
This study explores the nuanced relationship between architecture and narrative in Taylor Swift’s artistic development, utilizing Sophia Psarra’s theoretical perspective as a critical lens. It focuses on Swift’s “Lover” music video and the song “The Last Great American Dynasty,” illustrating how architectural elements actively engage in the narrative process of her works. Psarra’s framework, which interprets architecture as a conduit for cultural and emotional narratives, is central to understanding Swift’s strategic use of spatial elements as storytelling devices. These architectural features not only enrich her music and art but also layer it with cultural significance and emotional depth, thereby enhancing the narrative experience. Through a comprehensive visual and lyrical analysis, this paper highlights the dynamic interaction between architectural spaces and narrative in Swift’s music. Applying Psarra’s insights reveals the evolution of Swift’s narrative techniques through architectural motifs, reflecting shifts in time and emotional narratives within her storytelling. This research contributes to the broader discourse on the role of architecture in artistic expression, emphasizing how spatial environments amplify narrative storytelling. By adopting Psarra’s theoretical framework, the study offers insights into the intricate relationship between music, art, architecture, and cultural symbolism, affirming the vital influence of architectural narratives in contemporary artistic expression.
Original language | English |
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Title of host publication | Harmony in Architectural Science and Design: Sustaining the Future |
Publication status | In preparation - 27 Nov 2024 |
Keywords
- Taylor Swift
- Architectural Narratives
- Emotional Projections
- Pop Culture
- Spatial Configuration