Abstract
Japanese animated series and films are, today, commonly named ‘anime’. Italy is the western market where the highest number of television anime were aired and theatrical anime released: it is a crucial context to assess the impact of anime on Western audiences. There is a lack of literature in English on the topic. This article provides information on the success of anime in Italy, with reference to the theatrical films released before the boom and a bibliography in Italian; indicates the main differences between the booms in Japan and Italy and gives hints on other national markets for anime; discusses the historical reasons of the arrival of anime in Italy; offers explanations on the stages of the success in this country (and in Western Europe) and in the United States before and during the boom, with the US market being a relevant touchstone; outlines the consumption model of television anime in Italy in the 1980s; provides critical remarks on the social-cultural features of the Italian anime boom as distinguished from the impact of anime on other national contexts. The article is informed by a multidisciplinary approach: cultural sociology, comparative media studies and animation studies.
Original language | English |
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Pages (from-to) | 363-381 |
Number of pages | 19 |
Journal | Journal of Italian Cinema and Media Studies |
Volume | 2 |
Issue number | 3 |
DOIs | |
Publication status | Published - 2014 |
Externally published | Yes |
Keywords
- Consumption models
- International fluxes of pop cultures
- Italian anime boom
- Japanese animation
- Japaneseness
- Quantitative record
- Subcultural Japonisme
- Trans-acculturation