Abstract
This article examines the representation of girlfriendship (Winch A (2013) Girlfriends and Postfeminist Sisterhood. Basingstoke: Palgrave Macmillan) in the Chinese TV series Ode to Joy (2016–2017), and in particular, its representation of the interactions between urban women’s competence, experience of romance, postfeminist identity and class status in the Chinese gender context. Drawing on Winch’s concepts of ‘strategic sis- terhood’ and the ‘girlfriend gaze’, we first explore how female friendship relies on networks of exchange in terms of economy, career and/or emotion, and then investigate the ways in which young women mutually monitor each other’s personal relationships to ensure their heterosexuality in society as a group.
Original language | English |
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Journal | Critical Studies in Television |
DOIs | |
Publication status | Published - 2021 |
Keywords
- Chinese TV drama
- girls’ friendship
- middle-class representation
- Ode to Joy (2016– 2017)
- sisterhood
- postfeminism
- women