TY - JOUR
T1 - Free as in BEER
T2 - Some explorations into structured improvisation using networked live-coding systems
AU - Wilson, Scott
AU - Lorway, Norah
AU - Coull, Rosalyn
AU - Vasilakos, Konstantinos
AU - Moyers, Tim
PY - 2014/3
Y1 - 2014/3
N2 - Much improvised music that has developed since the advent of free jazz has been concerned with the imposition of structure, often through systems of directed improvisation, or through the use of rule-based approaches (e.g., game pieces). In this article, we explore the possibility of a networked live-coding system as a structural intervention mechanism par excellence, through the discussion of two pieces from the repertoire of the Birmingham Ensemble for Electroacoustic Research.
AB - Much improvised music that has developed since the advent of free jazz has been concerned with the imposition of structure, often through systems of directed improvisation, or through the use of rule-based approaches (e.g., game pieces). In this article, we explore the possibility of a networked live-coding system as a structural intervention mechanism par excellence, through the discussion of two pieces from the repertoire of the Birmingham Ensemble for Electroacoustic Research.
UR - http://www.scopus.com/inward/record.url?scp=84898060014&partnerID=8YFLogxK
U2 - 10.1162/COMJ_a_00229
DO - 10.1162/COMJ_a_00229
M3 - Article
AN - SCOPUS:84898060014
SN - 0148-9267
VL - 38
SP - 54
EP - 64
JO - Computer Music Journal
JF - Computer Music Journal
IS - 1
ER -