TY - GEN
T1 - Autoethnography and Emotional Exposure as an Approach for Electroacoustic Music Composition
AU - Brown, Becky
AU - Vasquez, Juan Carlos
N1 - Publisher Copyright:
© 2020 Becky Brown et al.
PY - 2021
Y1 - 2021
N2 - In a contemporary context, works that are highly specific to the artist’s life are commonplace in fields such as performance art. However, this approach is only tangentially employed when it comes to artistic applications of music technology. This paper explores the potential of composing electroacoustic music in the form of’music autoethnographies,’ a way of qualitative research that aims to systematically analyze personal experience to understand a specific context. We document our specific approach by contrasting the existing literature and related art pieces with the work of American composer Becky Brown.
AB - In a contemporary context, works that are highly specific to the artist’s life are commonplace in fields such as performance art. However, this approach is only tangentially employed when it comes to artistic applications of music technology. This paper explores the potential of composing electroacoustic music in the form of’music autoethnographies,’ a way of qualitative research that aims to systematically analyze personal experience to understand a specific context. We document our specific approach by contrasting the existing literature and related art pieces with the work of American composer Becky Brown.
UR - http://www.scopus.com/inward/record.url?scp=85140974156&partnerID=8YFLogxK
M3 - Conference Proceeding
AN - SCOPUS:85140974156
T3 - ICMC 2021 - Proceedings of the International Computer Music Conference 2021
SP - 454
EP - 459
BT - ICMC 2021 - Proceedings of the International Computer Music Conference 2021
A2 - Cadiz, Rodrigo F.
PB - International Computer Music Association
T2 - 2021 International Computer Music Conference, ICMC 2021
Y2 - 25 July 2021 through 31 July 2021
ER -