TY - JOUR
T1 - An exploration of the act of (digital) mark-making in the form of analogue drawings
AU - Mackenzie, Michael
N1 - Publisher Copyright:
© 2024 The Author(s)
PY - 2024/6
Y1 - 2024/6
N2 - This paper proposes that posted online content can be understood as (digital) mark-making. Through research as creative practice in the form of drawings created with grey-lead pencil on paper (an analogue form of mark-making), the notion of (digital) mark-making is explored as an existential act. Dating back thousands of years, human mark-marking in the form of handprints can be found in caves in many parts of the world, a declaration that ‘I was here!’ Mark-making plays a role in human becoming, the self an ongoing creation rather than already being created, and over time, forms of mark-making evolved into artistic practice, cultural transmission, language and narrative modes for storytelling. With the introduction of the Internet, online content creation fulfils the same roles as traditional mark-making. Posting content online has become an existential act, a way to document one's existence and give proof of presence through storytelling – acts of (digital) mark-making. Current theories on the nature and social functionality of the Internet, particularly social media as modes for storytelling, are engaged to reflexively analyse the drawings which express human-lived experiences that now oscillate between virtuality and reality.
AB - This paper proposes that posted online content can be understood as (digital) mark-making. Through research as creative practice in the form of drawings created with grey-lead pencil on paper (an analogue form of mark-making), the notion of (digital) mark-making is explored as an existential act. Dating back thousands of years, human mark-marking in the form of handprints can be found in caves in many parts of the world, a declaration that ‘I was here!’ Mark-making plays a role in human becoming, the self an ongoing creation rather than already being created, and over time, forms of mark-making evolved into artistic practice, cultural transmission, language and narrative modes for storytelling. With the introduction of the Internet, online content creation fulfils the same roles as traditional mark-making. Posting content online has become an existential act, a way to document one's existence and give proof of presence through storytelling – acts of (digital) mark-making. Current theories on the nature and social functionality of the Internet, particularly social media as modes for storytelling, are engaged to reflexively analyse the drawings which express human-lived experiences that now oscillate between virtuality and reality.
KW - Contemporary art
KW - Media and communications
KW - Narrative theory
KW - Online culture
KW - Post Internet art
KW - Social media
UR - http://www.scopus.com/inward/record.url?scp=85193540552&partnerID=8YFLogxK
U2 - 10.1016/j.teler.2024.100144
DO - 10.1016/j.teler.2024.100144
M3 - Article
AN - SCOPUS:85193540552
SN - 2772-5030
VL - 14
JO - Telematics and Informatics Reports
JF - Telematics and Informatics Reports
M1 - 100144
ER -