Domestic Touchpoints between British and Chinese Women's Art

Virginia Yiqing Yang*, Adrienne Evans

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

Abstract

Domesticity in women’s art has been explored in a number of recently emerging writings and artistic projects. In this article, we focus on three British and Chinese women artists’ work: Jemima Brown’s Our Lady of Perpetual Distraction, Tao Aimin’s Women’s River, and Gao Rong’s Guangzhou Station—Things in the Bag, with analysis that explores overlaps between them as part of a transcultural condition. These overlaps are defined as “touchpoints”, as a way to capture transient, fluid or intra-secting moments where ideas within artworks meet. We pay attention to gender division/inequality that is informed by a new materialist and phenomenological feminist methodology. This article facilitates an in-depth analysis of women’s art from a transcultural understanding and challenges the current sociocultural binaries inherent in gender relations.
Original languageEnglish
Pages (from-to)53
Number of pages69
JournalFrontiers: A Journal of Women Studies
Volume44
Issue number2
Publication statusPublished - Sept 2023

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