TY - GEN
T1 - A Psarran analysis
T2 - 57th International Conference of the Architectural Science Association, ANZAScA 2024
AU - Roslan, Siti Balkish
N1 - Publisher Copyright:
© 2024, The Architectural Science Association and Griffith University, Australia.
PY - 2024
Y1 - 2024
N2 - This study explores the nuanced relationship between architecture and narrative in Taylor Swift's artistic development, utilizing Sophia Psarra's theoretical perspective as a critical lens. It focuses on Swift's “Lover” music video and the song “The Last Great American Dynasty,” illustrating how architectural elements actively engage in the narrative process of her works. Psarra's framework, which interprets architecture as a conduit for cultural and emotional narratives, is central to understanding Swift's strategic use of spatial elements as storytelling devices. These architectural features not only enrich her music and art but also layer it with cultural significance and emotional depth, thereby enhancing the narrative experience. Through a comprehensive visual and lyrical analysis, this paper highlights the dynamic interaction between architectural spaces and narrative in Swift's music. Applying Psarra's insights reveals the evolution of Swift's narrative techniques through architectural motifs, reflecting shifts in time and emotional narratives within her storytelling. This research contributes to the broader discourse on the role of architecture in artistic expression, emphasizing how spatial environments amplify narrative storytelling. By adopting Psarra's theoretical framework, the study offers insights into the intricate relationship between music, art, architecture, and cultural symbolism, affirming the vital influence of architectural narratives in contemporary artistic expression.
AB - This study explores the nuanced relationship between architecture and narrative in Taylor Swift's artistic development, utilizing Sophia Psarra's theoretical perspective as a critical lens. It focuses on Swift's “Lover” music video and the song “The Last Great American Dynasty,” illustrating how architectural elements actively engage in the narrative process of her works. Psarra's framework, which interprets architecture as a conduit for cultural and emotional narratives, is central to understanding Swift's strategic use of spatial elements as storytelling devices. These architectural features not only enrich her music and art but also layer it with cultural significance and emotional depth, thereby enhancing the narrative experience. Through a comprehensive visual and lyrical analysis, this paper highlights the dynamic interaction between architectural spaces and narrative in Swift's music. Applying Psarra's insights reveals the evolution of Swift's narrative techniques through architectural motifs, reflecting shifts in time and emotional narratives within her storytelling. This research contributes to the broader discourse on the role of architecture in artistic expression, emphasizing how spatial environments amplify narrative storytelling. By adopting Psarra's theoretical framework, the study offers insights into the intricate relationship between music, art, architecture, and cultural symbolism, affirming the vital influence of architectural narratives in contemporary artistic expression.
KW - Architectural narratives
KW - cultural symbolism
KW - Taylor Swift
KW - temporal architecture
UR - http://www.scopus.com/inward/record.url?scp=105004580284&partnerID=8YFLogxK
M3 - Conference Proceeding
AN - SCOPUS:105004580284
T3 - Proceedings of the International Conference of Architectural Science Association
SP - 752
EP - 759
BT - 57th International Conference of the Architectural Science Association, ANZAScA 2024 - Proceedings
A2 - Zhang, Fan
A2 - Yu, Rongrong
A2 - Bischeri, Cecilia
A2 - Liu, Tingting
A2 - Khoshbakht, Maryam
PB - Architectural Science Association
Y2 - 26 November 2024 through 29 November 2024
ER -