Welcome to Heshan (2021)

Aven-Le Zhou

Welcome to Heshan (2021)

Aven-Le Zhou^*

^*Corresponding author for this work

Department of Industrial Design

Research output: Practice-based research output › Digital, Visual or Audio-visual Creative Work › Original creative work: Visual art work

Abstract

“Welcome to Heshan” presents an interactive art experience for participants to entertain and impress them with FONG TSE KA’s, aiming at conveying a warm welcome to engaging within the local (i.e., Heshan) cultural context. The visual presentation consists of different designs of the Chinese calligraphy and other patterns found from FONG TSE KA’s painting, including “calligraphy waterfalls”, “calligraphy snowflakes”, and re-designed painterly background as reinterpretations of FTK’s paintings The work, by default, shows a running calligraphy waterfall. When the participant walks in the interactive area, the installation will detect their presence and switch to interactive mode in which the waterfall will partially switch to snowflake with falling and bouncing effect. Additionally, the installation will project the participant into the screen as color blocks in profile shape, and the participant can virtually catch and hold the calligraphy snowflakes as in the physical world.

Original language	English
Media of output	Physical / On-site
Size	Flexible
Publication status	Accepted/In press - 2021

Keywords

Body Engagement
Augmented Reality Mirror
Interactive Art
Fong Tse Ka

Access to Document

https://www.aven.cc/welcome-to-heshan

1 Conference Proceeding

Welcome to Heshan: An Installation to Create Immersive and Entertaining Experiences with Local Art Through Interactive Media Technologies
Zhou, A. L. & Xie, F., 2022, Cross-Cultural Design. Applications in Learning, Arts, Cultural Heritage, Creative Industries, and Virtual Reality - 14th International Conference, CCD 2022, Held as Part of the 24th HCI International Conference, HCII 2022, Proceedings. Rau, P.-L. P. (ed.). Springer Science and Business Media Deutschland GmbH, p. 304-317 14 p. (Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics); vol. 13312 LNCS).
Research output: Chapter in Book or Report/Conference proceeding › Conference Proceeding › peer-review
1 Citation (Scopus)

Cite this

@misc{a60ad4b0400f4f43aa135dc1610f3c18,

title = "Welcome to Heshan (2021)",

abstract = "{\textquotedblleft}Welcome to Heshan{\textquotedblright} presents an interactive art experience for participants to entertain and impress them with FONG TSE KA{\textquoteright}s, aiming at conveying a warm welcome to engaging within the local (i.e., Heshan) cultural context. The visual presentation consists of different designs of the Chinese calligraphy and other patterns found from FONG TSE KA{\textquoteright}s painting, including {\textquotedblleft}calligraphy waterfalls{\textquotedblright}, {\textquotedblleft}calligraphy snowflakes{\textquotedblright}, and re-designed painterly background as reinterpretations of FTK{\textquoteright}s paintings The work, by default, shows a running calligraphy waterfall. When the participant walks in the interactive area, the installation will detect their presence and switch to interactive mode in which the waterfall will partially switch to snowflake with falling and bouncing effect. Additionally, the installation will project the participant into the screen as color blocks in profile shape, and the participant can virtually catch and hold the calligraphy snowflakes as in the physical world. ",

keywords = "Body Engagement, Augmented Reality Mirror, Interactive Art, Fong Tse Ka",

author = "Aven-Le Zhou",

year = "2021",

language = "English",

}

TY - ADVS

T1 - Welcome to Heshan (2021)

AU - Zhou, Aven-Le

PY - 2021

Y1 - 2021

N2 - “Welcome to Heshan” presents an interactive art experience for participants to entertain and impress them with FONG TSE KA’s, aiming at conveying a warm welcome to engaging within the local (i.e., Heshan) cultural context. The visual presentation consists of different designs of the Chinese calligraphy and other patterns found from FONG TSE KA’s painting, including “calligraphy waterfalls”, “calligraphy snowflakes”, and re-designed painterly background as reinterpretations of FTK’s paintings The work, by default, shows a running calligraphy waterfall. When the participant walks in the interactive area, the installation will detect their presence and switch to interactive mode in which the waterfall will partially switch to snowflake with falling and bouncing effect. Additionally, the installation will project the participant into the screen as color blocks in profile shape, and the participant can virtually catch and hold the calligraphy snowflakes as in the physical world.

AB - “Welcome to Heshan” presents an interactive art experience for participants to entertain and impress them with FONG TSE KA’s, aiming at conveying a warm welcome to engaging within the local (i.e., Heshan) cultural context. The visual presentation consists of different designs of the Chinese calligraphy and other patterns found from FONG TSE KA’s painting, including “calligraphy waterfalls”, “calligraphy snowflakes”, and re-designed painterly background as reinterpretations of FTK’s paintings The work, by default, shows a running calligraphy waterfall. When the participant walks in the interactive area, the installation will detect their presence and switch to interactive mode in which the waterfall will partially switch to snowflake with falling and bouncing effect. Additionally, the installation will project the participant into the screen as color blocks in profile shape, and the participant can virtually catch and hold the calligraphy snowflakes as in the physical world.

KW - Body Engagement

KW - Augmented Reality Mirror

KW - Interactive Art

KW - Fong Tse Ka

M3 - Digital, Visual or Audio-visual Creative Work

ER -

Welcome to Heshan (2021)

Abstract

Keywords

Access to Document

Research output

Welcome to Heshan: An Installation to Create Immersive and Entertaining Experiences with Local Art Through Interactive Media Technologies

Cite this