Tranimacies and Affective Trans Embodiment in Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image

Ana Horvat

doi:10.1080/08989575.2018.1445588

Tranimacies and Affective Trans Embodiment in Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image

Ana Horvat^*

^*Corresponding author for this work

University of Alberta

Research output: Contribution to journal › Article › peer-review

1 Citation (Scopus)

Abstract

In Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image, the artists perform trans embodiment through engaging with the animacy of silicone and clay. Arsenault and Cassils work toward defining trans embodiment as affective entanglements with (in)animate objects and foreground trans agency, creation, and movement.

Original language	English
Pages (from-to)	395-415
Number of pages	21
Journal	a/b: Auto/Biography Studies
Volume	33
Issue number	2
DOIs	https://doi.org/10.1080/08989575.2018.1445588
Publication status	Published - 4 May 2018
Externally published	Yes

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10.1080/08989575.2018.1445588

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title = "Tranimacies and Affective Trans Embodiment in Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image",

abstract = "In Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image, the artists perform trans embodiment through engaging with the animacy of silicone and clay. Arsenault and Cassils work toward defining trans embodiment as affective entanglements with (in)animate objects and foreground trans agency, creation, and movement.",

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AB - In Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image, the artists perform trans embodiment through engaging with the animacy of silicone and clay. Arsenault and Cassils work toward defining trans embodiment as affective entanglements with (in)animate objects and foreground trans agency, creation, and movement.

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Tranimacies and Affective Trans Embodiment in Nina Arsenault's Silicone Diaries and Cassils's Becoming an Image

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