Abstract
coexists with human culture (Christophers, 2018), challenging the notion
of nature as a passive resource (Maniates & Meyer, 2010). Instead, a sustainable
future depends on understanding the agency of non-human entities
(Bowden, 2015). Scholars and artists are exploring this interplay,
acknowledging that both humans and non-humans actively shape our
world, while traditional art often limits nature to a static role (Droz, 2021).
Photosynthesis offers a metaphor for this dynamic engagement, with
plants transforming sunlight into usable energy through three key phases:
absorption, transformation, and diffusion. Plants first absorb sunlight and
water, then transform this energy into essential compounds, finally diffusing
it back into the ecosystem to nourish life.
Our proposed methodology draws on these phases, envisioning the
artist as a “photosynthesizing” agent. Here, nature collaborates actively
with the artist through environmental absorption, studio-based transformation,
and creative diffusion. This “photosynthesizing” approach provides
an ecologically integrated perspective, in which the artist co-creates
with the surrounding landscape, enriching both the artwork and its connection
to the environment.
of nature as a passive resource (Maniates & Meyer, 2010). Instead, a sustainable
future depends on understanding the agency of non-human entities
(Bowden, 2015). Scholars and artists are exploring this interplay,
acknowledging that both humans and non-humans actively shape our
world, while traditional art often limits nature to a static role (Droz, 2021).
Photosynthesis offers a metaphor for this dynamic engagement, with
plants transforming sunlight into usable energy through three key phases:
absorption, transformation, and diffusion. Plants first absorb sunlight and
water, then transform this energy into essential compounds, finally diffusing
it back into the ecosystem to nourish life.
Our proposed methodology draws on these phases, envisioning the
artist as a “photosynthesizing” agent. Here, nature collaborates actively
with the artist through environmental absorption, studio-based transformation,
and creative diffusion. This “photosynthesizing” approach provides
an ecologically integrated perspective, in which the artist co-creates
with the surrounding landscape, enriching both the artwork and its connection
to the environment.
| Original language | English |
|---|---|
| Title of host publication | Design for Intercultural Innovation |
| Subtitle of host publication | Cumulus Regional Seminar China Dutch Workshop Days |
| Publisher | Cumulus Association |
| Chapter | 1 |
| Pages | 92-97 |
| Number of pages | 6 |
| ISBN (Electronic) | 978-952-7549-08-7 |
| Publication status | Published - 2025 |
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