Abstract
Negative Shanshui investigates pressing ecological concerns through Eastern aesthetics. In the interactive artwork, the participant transforms a serene Shanshui into a disturbing reflection of the environmental crisis through their embodied interaction. Through AI imaginary synthesis, the participant distorts the idealized landscape (i.e., Shanshui) with their gaze in real-time and gradually reveals a wasteland. It encapsulates the audience in an ongoing narrative of the clash between humanity and nature, sparking contemplation of their negative impact and fostering ecological awareness.
| Original language | English |
|---|---|
| Media of output | Physical / On-site |
| Size | Flexible |
| Publication status | Accepted/In press - 2024 |
Keywords
- Shanshui
- Anthropocene
- Ink Painting
- AI Synthesis
- Interactive Art
Projects
- 1 Active
-
SFP: Design Prototyping AI-mediated Interactive Shanshui Experience
Zhou, L. (PI), Lo, C.-H. (CoI) & Chen, Z. (CoI)
1/09/25 → 28/02/27
Project: Internal Research Project
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Negative Shanshui: Real-time Interactive Ink Painting Synthesis
Zhou, A.-L., 5 Oct 2025, (E-pub ahead of print) p. 1-15. 15 p.Research output: Contribution to conference › Paper
Open Access -
Shanshui in the Anthropocene: A Visual Study with Artificial Intelligence
Zhou, A.-L., 2025, ISEA2025: the 30th International Symposium on Electronic/Emerging Art. ISEA2025, p. 1-8 8 p.Research output: Chapter in Book or Report/Conference proceeding › Conference Proceeding › peer-review
Open Access
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