Abstract
This article examines the tension between public gender expressions and official regulations in mainland China. Utilizing a critical discourse analysis, we investigate a transition in state-initiated criticism and censorship against the danmei genre and male effeminacy. Focusing on the pandemic period, we use official regulations and state media feature articles as data, ‘reticent / han-xu’ pol- itics as a grounding theoretical basis, and statements from mainstream media platforms as second- ary resources. We argue that han-xu politics functions as the Chinese party-state’s strategic response to a perceived ‘crisis of masculinity’. They first invisibilize and marginalize soft masculin- ities, and if this is not effective, then suppress and prohibit cultural forms that violate hegemonic masculinity, which works to perpetuate the hetero-patriarchal social-familial system.
| Original language | English |
|---|---|
| Journal | International Journal of Cultural Studies |
| DOIs | |
| Publication status | Published - 2 Mar 2023 |
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