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Film song translation Verbal, vocal, and visual dimensions on the Chinese translation of Amazing Grace in the film Forever Young

  • Ying Cui*
  • , Hui Wang
  • *Corresponding author for this work
    • Guangdong University of Foreign Studies

    Research output: Contribution to journalArticlepeer-review

    3 Citations (Scopus)
    1355 Downloads (Pure)

    Abstract

    As films are distributed across the globe, film song translation has become a
    subject of study, which entails considering multi-modal factors. This paper
    aims to explore the major dimensions and parameters involved in film song
    translation. Based on previous research on music and translation, this paper
    proposes a framework for studying film song translation from verbal, vocal,
    and visual dimensions. The verbal dimension involves semantic meaning,
    metaphors, images, mood, and emotion. The vocal dimension includes the
    number of syllables and musical notes, the length of musical notes, rhyme
    and parallelism, the rise and fall of the melody, and the segmentation of a
    line. The visual dimension covers the plot, characters, and background
    pictures. This paper uses this framework to analyze the Chinese translation
    of Amazing Grace in the film Forever Young to demonstrate how film song
    translation can be flexible in tackling verbal, vocal, and visual restrictions
    and possibilities.
    Original languageEnglish
    Pages (from-to)555-585
    Number of pages31
    JournalBabel
    Volume68
    Issue number4
    DOIs
    Publication statusPublished - 4 Nov 2022

    Keywords

    • film song
    • translation
    • verbal
    • visual
    • vocal

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