Abstract
Batik textiles have been integral to the traditional art of Central Java. Like music, dance, and performance, this handcrafted form serves as a symbol of cultural diplomacy, demonstrating Indonesian soft power. Historically, Batik patterns signified social status, with certain designs exclusive to royalty. The 19th-century treaty with Raffles eased trading restrictions, and some Batik patterns remain reserved for royal use. Like tangible heritage artefacts and sites, shared characters and motifs are common to both the narrative reliefs and the cloth patterns. Batik textiles—an intangible cultural heritage—reflect the evolution of motifs and styles over time and draw on ancient tales in their design. As a living archive of cultural memories, research into Batik textiles encompasses fabric variations, wax types, mineral dyes, motifs, craftsmanship, market trends, preservation, and the role of tourism. In the contemporary era, Batik textiles also face challenges of preservation and revitalisation, like other traditional arts and crafts. To boost awareness of sustainability, efforts to revive Batik include celebrating local Batik Day, establishing Batik market clusters, and staging carnivals such as Kirab……, to name a few. During the coronavirus outbreak, pandemic-related challenges and impacts threatened the survival of local communities, which leveraged their innovations to overcome these impacts through creative, accessible design. The resilience manifests itself through creative products, live-streaming content, and cross-generational inheritances. To frame Batik as an expressive craft that sustains its cultural vitality, further exploration can be undertaken by pushing the boundaries of Batik revitalisation towards embodied built heritage, dynamic heritage expression, and labour-assistive intelligence. These efforts can be consolidated through local collaborations in Central Java. Through the self-governance of this indigenous and situated wisdom, the inheritances of cultural memory can be sustained by local communities and institutions.
| Original language | English |
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| Publication status | Accepted/In press - 1 Sept 2026 |
| Event | ICOMOS Italy and the International Committee on Intangible Cultural Heritage (ICICH) International Symposium: “The Role of Local Communities in Safeguarding Intangible Cultural Heritage within Heritage Ensembles and Monuments.” - Villa Rufolo, Ravello, Salerno, Italy Duration: 8 Nov 2026 → 11 Nov 2026 https://icich.icomos.org/wp-content/uploads/2026/06/Call-for-abstracts-Symposium-ICICH-ICOMOS-Ravello-Italy-November-8-11-2026.pdf |
Other
| Other | ICOMOS Italy and the International Committee on Intangible Cultural Heritage (ICICH) International Symposium: “The Role of Local Communities in Safeguarding Intangible Cultural Heritage within Heritage Ensembles and Monuments.” |
|---|---|
| Country/Territory | Italy |
| City | Salerno |
| Period | 8/11/26 → 11/11/26 |
| Internet address |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 9 Industry, Innovation, and Infrastructure
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SDG 17 Partnerships for the Goals
Keywords
- Batik Textile
- ICH
- Embodiment
- Labour-Assistive
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