Abstract
This paper revisits the concept of interaction in interactive art, tracing its evolution from sociocultural origins to its narrowing within human-computer paradigms. It critiques this reduction and proposes a relational (re)turn through reclaiming interaction as intersubjective and relational. Through a synthesis of aesthetic theories and case studies from Ars Electronica, the paper introduces Techno Relational Aesthetics, a new conceptual lens that emphasizes technologically mediated relationality. This approach expands interactive art beyond audience–artwork interaction and opens the possibility to broader relational practices.
| Original language | English |
|---|---|
| Title of host publication | ARTECH 2025 |
| Subtitle of host publication | 12th International Conference on Digital and Interactive Arts: Media Art Cultures, Communities & Territories |
| Publisher | Association for Computing Machinery (ACM) |
| Pages | 1-9 |
| Number of pages | 9 |
| DOIs | |
| Publication status | Published - 28 Nov 2025 |
Activities
- 1 Participating in an event e.g. a conference, workshop, …
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The 12th International Conference on Digital and Interactive Arts (ARTECH) 2025
Zhou, A.-L. (Participant)
26 Nov 2025 → 28 Nov 2025Activity: Participating in or organising an event › Participating in an event e.g. a conference, workshop, …
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